Wednesday, March 19, 2014

Wait, Did We Just See Soundgarden?



                                       SXSW Day 3: Thursday, March 14, 2014:
                                         Wait, did we just see Soundgarden?

    Like going into Barton Springs, I like to ease into my music for the day.  A normal morning setlist might include BeachHouse, Air, Small Black…something along those lines.  I guess Spin Magazine doesn't follow my same mindset.  Being the enabler that SXSW is, my first beer came compliments of the Spin party at Stubb's BBQ as did my first ear bleed. I only exaggerate slightly, but the day did start with raucous sets from both Radkey and The Orwells.  I just was NOT prepared for such energy yet, nor was the crowd that was more intent on lining up for food than they were for paying attention to the bands screaming their hearts out on stage.  The Orwells put absolutely every ounce of energy they had into their set, but only  somewhat got the audience's attention even when they ripped into "Other Voices." Put punk, indie and garage rock into a blender and that is what this extremely young band comes out sounding like. As they age they will have to refine their sound because there is a fine line between maturity and obscurity.  Realizing that the beer in my stomach was quite lonely, we moved on in search of food that wouldn't take 40 minutes of waiting in line to get. I should have remembered that I was at SXSW and not Cedar Park.  There will be lines.

    The line at the Spotify House on E. 6th was hours long. That's right, I am now measuring distance by time.  I'm serious though.  I'm still not quite sure how we cut the line, but I can assure you that it had nothing to do with my good looks. We had just missed Austin phenom, Shakey Graves, but little did we know what we were in store for.  I'm not quite sure what the line was waiting for because, once inside, you realize that the venue is tiny and is almost exclusive in nature.  In other words, they'd never get in because no one was leaving. The Peached Tortilla, one of our original food trucks, did not disappoint with their free Brisket Tacos and Bahn Mi Tacos. They may have disappointed some once they started charging for food, but hey…we shouldn't have had food of that quality for free in the first place. We had just enough time to get through that line before Streets Of Laredo took the stage and they set the tone: today, but not tonight was going to be chill.  After their short set, playing from last September's "God Love You When You're Dancing" EP, the Australian singer-songwriter Vance Joy won over the house with songs the likes of which I haven't heard in a  very long time.  He only has one EP to his name, yet Atlantic just signed him to a 5 record deal. He's going to be kind of a big deal. The lineup seemed, and was, pretty much Americana, singer-songwriter up until St. Paul and the Broken Bones. I have NO idea why they are still playing venues of this size. I mean, how many dues does one band have to pay? They were the standout act and one that deserves to be acknowledged.  Just plain soulful. Our legs would only allow for one more band so we closed out our day at the Spotify House watching The Districts before heading to Manuel's.  
Vance Joy


                On the way I was accosted by an officer friend of mine who grabbed me and asked to see some identification.  Since I also was greeted at the door of the Kettle One party last Friday night by another officer friend of mine, this is the second officer friend of mine that I ran into at SXSW.  I hardly saw any officers this week, yet I knew two of them.  Oh well, keeps me out of trouble...sorta.  Rest was just what the doctor ordered. Well, that, and copious amounts of queso and sangrias. We were ready.  Finally on our way to see a band that is older than I am. 

                We were first treated to The Wild Feathers when we got  to the Guitar Center Sessions.   Well, actually we were treated to an overzealous officer  and this one was not my friend.  As he yelled at me for being in the wrong line: "NO, NO, NO SIR."  I yelled back: "YES,YES, YES SIR."  i really need to watch myself.  Anyway, The Wild Feathers were yet another band that I was unfamiliar with and am now in love with.  Southern Rock with catchy hooks and perfect melodies.  I had never seen Soundgarden live before.  I had seen Chris Cornell several times, however, so I knew I was in for something special.  I mean, Soundgarden.  In front of only 1,000 people.  For me, this was as special as when I saw Metallica at Stubb's.  Here we were, on top of the 503 Colorado Building , beautiful weather, watching one of  the biggest names in 90's music.  It's hard to believe that this was their first time at SXSW and that is was in support of the 20th anniversary/re-issue of their multi platinum "Superunknown" album. Just hearing "The Day I Tried To Live," "My Wave" and 'Spoonman" would have been enough, but it was when Chris Cornell's voice rang through the night sky on "Black Hole Sun" was when I truly realized the magnitude  of who we were watching. it's like when I heard Paul McCartney sing "Yesterday" at the Alamodome in 1993.  You'll never forget moments like these.  Unless of course, you get Alzheimer's which, by the way, we have GOT  to find a cure for.  I mean, to have these experiences only to have those memories stripped from you later? Sorry, I am easily sidetracked.  This was an evening for the ages and the aged. 

The Wild Feathers

Soundgarden
 
Soundgarden

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